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It does take a bit of settling in to understand exactly what direction this new Holmes is going in, but it works thanks to RDJ and picks up as the mystery thickens and Holmes' limits are tested.
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His banter with Watson and ability to use classic Holmes logic to a comic effect is infinitely enjoyable. It might feel like it's giving a character steroids to put on more of a show, but the appeal would be too narrow if Holmes were straight-laced. It adds another dimension and ups the entertainment factor of the character. The script creatively draws the connection between Holmes' intellectual prowess and how he might use it in a physical bout.
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As for the lean and mean Guy Ritchie depiction of Holmes, it's not entirely unfounded. Again, the fewer the expectations, the better. 2009 is a little more Dan Brown "Angels & Demons" and a little less "Se7en." This is fine for those who can look to Holmes for a more mainstream romp than what an older crowd might hope to be a rigorous exercise in fine mystery and logic. The supernatural angle didn't work well for the latest Indiana Jones film and it doesn't exactly do well here. Watson (Jude Law) are on the verge of ending their partnership because Watson has plans to settle down and marry when the crafty Irene Adler (Rachel McAdams) gets them deep into the Blackwood case. He creates terror in London appearing to have risen from the grave and committed a couple murders. The mystery surrounds Lord Blackwood (Mark Strong), who appears to have supernatural abilities derived from an ancient magic. RDJ makes him much more colorful and entertaining and takes attention away from an okay storyline. This Holmes is not merely a wise detective of old, but the quirky type, suggesting some insanity behind the genius. continues to impress in his turn as Holmes, managing to employ his same wit and charms while creating a unique character that makes you feel as if you're watching Holmes, not RDJ with yet another accent. has trusted the responsibility of delivering this amusement to one of the best and hottest comedians out there in Robert Downey Jr. In other words our new "Holmes" is about creating an entertaining diversion in the form of clever logic, high-brow humor and old-school science - it uses mystery conventions but to a showier end. The script hopes you'll be hooked on the reveal of how Holmes figures everything out and not so much the crime/mystery itself.
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The reason is the new "Holmes" is much less concerned with the quality of the mystery and more focused on breathing a new quirkiness and style into the character and his top-notch detective work. English Director Guy Ritchie ("Snatch," "RocknRolla") applies his witty and gritty crime thriller style to the first mainstream 21st Century version of Holmes, one that will likely appeal to a younger crowd and those less familiar with previous incarnations of the iconic sleuth. The grandfather of the mystery genre - and film's most adapted character - is none other than the great detective Sherlock Holmes, so if one were to apply Holmes' own deductive reasoning skills, a modern reinvention was a matter of time.